On Dominique/On Psyche (This Charming Lab)


So many stories are wrapped up in this next poem, some hilarious, some harrowing. It all revolves around a single woman and her phenomenal ability to enthrall men. Her name was, and is, Dominique, and I've never met anyone like her. When I met her, I was a high school junior and she was a freshman. She was stunningly beautiful, with a seductive, feline grace that suggested both Lolita and Liv Tyler. This alone wouldn't qualify her to play such an interesting part in my life and the lives of those around me; there were a lot of beautiful girls at Cheltenham; but Dominique had something more. What do we call that ineffable IT, that compelling magnetism that certain people have? Is it merely beauty, or charisma, or youth? For me, Dominique's charm lay in all these things, and also in something extra- a certain mischievous glint in her eye, a certain toss of her head, that suggested a sort of supernatural ecstasy, as if she were walking around in a narcotic trance all the time (which, I was later to learn, she was). Dominique was, quite simply, the most compelling female I'd met up to that point. Oddly enough, I didn't fall hard for her at all. I was able to keep my distance because, to a certain extent, I saw a hollowness beneath the charisma, an unwillingness to dig beneath surfaces and live truly. Dominique for me was a sort of caricature of adolescent sexiness, and I loved her archly condescending smile, but it didn't pierce me to the bone.

My best friend at the time, however, was absolutely, unbelievably, and pitifully smitten. He hung on her every word as though she was Godhead incarnate, recorded every encounter in an especially prized notebook, and just basically made an idiot of himself whenever she was around. Then, Dominique started dating another one of my friends, simultaneously making me her "Man of the Month," and things started to get really messy. A fist fight for me outside math class; a death threat; notes for me in the mail inscribed with lipstick, reading "He finds a deep satisfaction in pain; for that pain comes from her"; and other such nonsense. Basically Chris, aka Mr. Smitten, never forgave me for going after Dominique when he was so desperately in love, while Adam, Mr. Better-Attack-Me-Outside-Math-Class, became contrite years later and started randomly showing up at my gigs, camera in hand.

Having given you this background, you'll probably understand why running into Dominique on a sultry night in the East Village was such a big deal for me. I was lonely as hell in New York, overwhelmed, numbing myself with huge quantities of pot and speed pills. Dominique, for all her cattiness, rose to the occasion and delivered a knock-out performance as supportive friend with benefits. Unsurprisingly, she supported her academic career at NYU by dealing drugs, and I thought it would be fair game to throw that in, seeing as it was honest. Formally, this piece is me trying my best to write like Keats, sort of the same thing William Carlos Williams was doing in his early twenties. For me, WCW's Keatsian poems aren't that good, probably because he didn't know Dominique. She's a Muse- a real, honest-to-God morsel of madness. Not that I've ever forgotten her implacable selfishness, remorseless narcissism and insufferable insularity; but it pays to remember what's best in her.

Sitting in Psyche's parlor, I almost touched her-
   she stretched herself towards me, cat-like,
closing ice-blue eyes full of crocodile water,
    & her stomach bare, & her hair blue-striped-
like a Sphinx she reposed, with a riddle of flesh,
   to be solved in tongue-touching tenderness,
      despite Cupid shooting off on the phone-
like a moon she arose, & her lips mine enmeshed,
    I clutched, clasped her in a teenage caress,
        her Mom didn't notice the moans.

If youth were faithful, Eros be damned,
    cruel Cupid would never leave home-
back seats would stop rocking, beds be shammed,
    & Venus would go home alone-
in parks, in bars, the war went on,
    in which all is fair but fairness,
       all full of joy but the spurned-
in darkened cars, on new-mown lawns,
     enraptured or raptly embarrassed,
         ripe-full of the pleasures that burned.

Years passed until I saw Psyche again,
    ripe for a time, & then jaded-
we kissed, talked, she bade me a friend,
     her beauty unworried, untainted-
no elfin grot enclosed her, no cave,
    Manhattan she recklessly roamed,
      courted by rich men & thieves-
wild eyes pin-wheeled on parties, raves,
    small morning hours her home,
        nothing & no one she grieves.

I fell at her feet, she flung me away,
     her friend came, some E hits to buy-
I tossed on a tape, she laughed as it played,
     "Roxxxaaanne" came the heart-rending cry-
she counted five hundreds, hid them away,
    pulled out her poems, asked me to read them,
        walking her friend to the door-
I weighed all my options, if I should stay,
     holding the poems, not wanting to read them,
          feeling absurd on her floor.

She padded back softly, opened a window,
     stretched herself out on the sagging bed-
I lay down beside her, close as a shadow,
     moved in to touch her with joy & dread-
She stopped me at her silver belt,
    sensing why my words were soft,
       not about to blow her stolid cover-
I couldn't make her armor melt,
    couldn't burn the surface off
       that wouldn't let me be her honest lover.

Stoned in the gloaming, dead on my feet,
     the Village I hit & then ran-
did she like me, or did my candor defeat
     my manhood slipped out of her hands?
To her body, taut with muscle,
    a goddess of bed, Venus unseen to his lover,
        notes torn from shadows of sighs-
my body, all I'd hustled,
     seemed irrelevant, dead, & like a crab with no cover,
        crawled into the D train, & cried.





Seen Your Video Pt. 2


Disadvantaged or not by socks & a weird haircut on my part, the second installment of the Eris Temple Apparition Poems video series was taped August 5, 2011. Thanks again to Matt Stevenson. 

A Match For A Match


Of the two new lyric poems I have out in Ex-Ex-Lit, one of them, "A Match," has a neat counterpart in Apparition Poems. The counterpart is Apparition Poem #1543:

What could be more crass
than a round-trip ticket to
Los Angeles? Nothing but
beds of starlets, flawless in
perfect color harmony but
vomit stains in the toilet, I
don't know what could be
more crass, in fact I don't
know anything anymore, I
think the sky is marvelous.

The sublime gets sucker-punched by the ridiculous, and vice versa.

Meta-Poetry: Metaphysics Retrieval in 1335


Rescuing, from the jaws of gibberish, metaphysical inquiry in meta-poetry in Apparition Poem 1335

Tonight we're gonna party like it's 1488...



After ten-odd years, no Apparition Poem has attracted more action than 1488. Thanks, Julia. And: watch it

On A Desert Island


Five floors up on the elevator: I was too
   thin, almost collapsed from humidity outside,
but Jennifer, the knowledge of her insides,
   held me up, with luggage we carried through.
Why the compulsion was there, prodded us
   into instant betrayal, I cannot say or know now-
      clothes got piled sloppily, hotly, on a rug, brown
as always at the Atherton Hilton, clean, fussed
   for breaking, entering, conventioneers, academics,
      now two incredibly horny, moody adolescents.

Soon, the room was a desert island, the bed a sand-dune.
   We were washed ashore after fucking, over & over.
No one in history had been so marooned with a lover.
   Every time I touched her, I risked rousing a monsoon.
Wave after wave broke, entered. We didn't exist
   except as pistons in a tropical engine. Glasses of water,
      occasional baths, a little TV, body-boundaries slaughtered,
so that when we hit the Arts Fest, it didn't resist.
   My brain had spokes spinning the wrong way, but
      she took the Pandora's Box & nailed it shut.

What was backed up for her: everything, nothing.
   I had no yen for anything but to survive. Nights there
were like days. We never had leave to figure out where
   we were. Tunnels spiraled down & up: something
heaved, out in the world. Someone under the bed
   seemed to be nudging us; maybe how we'd been
       reduced to carnage. Being in her: what I was in
was sheets rumpled, no maid, dementia in the head.
    We ate nothing: crackers, occasional food on College Ave.
        Once I spun to McLanahan's: lines crazy, bodies mad.

An eternity later, I strode down Pine Street in Philly,
   saw a blonde boy, a teenager, in a group of kids, thought
of Jen, craziness, madness, order emerging from naught.
   I knew, from reading bird-signs, shadows, nothing silly.
Eternity, agony & ecstasy melded into it, life piercing
   into more life, primordial ooze given sharp, tight direction,
      emergence of existence, matter, leveled energy, infection
of messy something into hollow nothing- Jen's tearing
   as we held each other through class-collisions, convulsions-
      buses I board to move forward. All school, no expulsion.


Sowers and Reapers


In recessional times, some knives are held by those who sow, some by those who reap.

from Beams (2007): Madame Psychosis: "eye eye eye"



nile-wide, eye eye eye.
a sylph, bee low my buzz.
it wants, to do, at mouth.
no. not every one. can end,
dare a-licked, like is. or:
put it, porn again. dew wit
like its done, on, cyber.
space, opened, bee twain. no,
went in sight. tight tight.

from Siren's Silence, Volume 2 Number 3 (Fall 1998): Clean (Adam Fieled)