The Lost Twins
There are a million things to say about The Lost Twins, here shown. The connection, on the one hand, to French Neo-Classicism, and on the other hand to Queer Studies, is right on the surface. However, at this point in time it is worth pointing out that The Lost Twins acts as its own Equation, as a reaction to what I've written about Abby, commenting on what I understand and do not understand, pointing out all the obvious vistas I missed, and making it clear that ultimately the most authoritative voice about Abby is her own. With a painter of Abby's caliber, this would seem to be inalienable.
1,000,000
Over the course of slightly-less-than-twenty-years, what has accrued to my Blogger account, and all sites inhering, is, as of now, over a million hits. Many thanks to P.F.S. readers, contributors, editors, rubbernecks, and those with the right kind of vested interest in us and the cultural contribution we are making. Cheers!
Dance Monkey: Beams: Pride (in the name of love)
The spirit you think is there, in architecture, is there,
along with other spirits, namely, spirits
hewn into coexisting nature, creating a sublime sense of
balance. Apotheosis of coexistences.
The collection of buildings here is resonant— shudders,
palpitates, resonates. Where & how you
get touched is the enchantment variable. It could be
Fayette Street (two churches), City Hall in May, Butler Pike,
even the lunar landing lunacy of Dekalb Pike.
The road you travel on is into the cosmos.
This is it— my Philadelphia.
The buildings say everything.
What I say now is reason again, to bring us
roundabout— the buildings are the road.
What is really in the cosmos remains the mystery.
Something Solid: Aughts Philly: Feast or Famine in The Seattle Star
Feast or Famine, double sonnet from the Aughts Philly section of Something Solid, in The Seattle Star.